The spirits
My dear friends, spiritual manifestation is omnipresent and permanent, but it takes place outside of observation. Nature itself takes place, transforms and moves outside of observation. It should be understood that the observation stipulates a very different formal act according to the species which determine this action. An animal does not observe like a man, and a man does not observe like an alien. Yet, it is about the same nature. We are therefore talking about the subjective, since the observation stipulates the intervention of the photon and the graviton. Your combined brains therefore become a gender and a number that we must master in order to hope to reach your minds. Manifestations deemed paranormal are then another way of observing the world,an escape route from the shackles of your conventions because observation creates a science that is not inherently fundamental. Remember, finally, that matter is the eternal and unlimited potential of form. This, as you will have understood, is situable and measurable according to the observation that one makes of it. Here is therefore a paradox since what you are trying to observe occurs outside of any observation which is itself very imperfect because it is subject to time and space. However, our events have a goal, it is precisely to broaden your understanding, and allow you to understand the content of the ideas that we convey. For the omnipresence of the spirit is the quintessence of it all. The manifestation, subject to observation, will always be only a shadow in front of the light.
Pascal:
Does that mean that we will never be able to observe the essence?
The Spirits:
The observation of the essence is a nonsense, since this one is beyond the forms, it is in the quintessence. Human observation is a juvenile act determining imperfect senses. There are beings who can understand a mechanism without ever seeing it, but understanding its logic. What becomes of your observation in the face of the vastness of the cosmos? A blade intended
for hanging from machines dying at the end of a cycle. You have other ways to get there, but it requires unsuspected brain maturity. You will have to understand the infinity of the constituent elements of matter to be able to open yourself to omnipresence.
Pascal:
OK, so that means that we are satisfied with the effect of gasoline to observe in the cell!
The Spirits:
Yes, absolutely. The effect you observe is a clever mix between your brain and our will. It is a question here of recurring signs which are not an end in itself, but an invitation to the awakening of consciousness. For some it will be a miracle, for others a springboard towards other things. Remember, we are looking for you and us to build a technical bridge, not wait for the disturbing and incalculable anomaly. In others there will be a subjective and isolated observation, in you there will be a recurrence of the act like breathing or heartbeat. The junction between you, us, and the cell are your brains.
Pascal:
Thank you for this information, we have prepared a series of questions, here is the first. The new sound system is now installed, do you have any specific advice for us regarding what is installed?
The Spirits:
The microphones will have to be changed, the technicality of their cell is poor and subject to variations, which will make it difficult to master the calibration. It would perhaps be more judicious to acquire microphones of very high quality with a neutral spectrum, that is to say mastered and calculable in your diagram. You will realize this in practice. Likewise for your 3- pin cables, you will need to control their impedance. All this, of course, with a view to what we can capture from your technical intentions.
Valerian:
You talk about the microphones, we are in the process of setting up the digital sound recording device. We have taken into account parasitic noises that can affect the understanding of a possible message by the operator. Would it be desirable to remove them by high resolution methods in the spectral domain and / or through an acoustic model?
The spirits :
The acoustic model you are talking about is going to be difficult to achieve given the equipment you have. There are fluctuating, non-linear, extraneous noises that you will be hard pressed to make out in a sound modeling preview. The easiest way is to list them and to count them as a necessary evil, that is to say as a permanent gene that is not controlled but is listed. For phase oppositions it will be easy for you to make them after the diffusion, and not at the same time. When we write “after” we are talking about thousandths of a second of course. You can take inspiration from phase opposition devices that already exist in the field of soundproofing. It will therefore be necessary to master the devices and their responses, but above all not to attempt to model everything,or you will have to review your entire system.
The Spirits (aside) The projector, yes
Valerian:
By phase opposition do you mean by prediction then correction then phase cancellation as an active system?
The Spirits:
Yes, the phase prediction must be dynamic and not from a model already memorized.
The Spirits:
The memorization of the model supposes a mastery of the devices and their rendering that you cannot obtain as it is since your electrical voltage, the sensitive content of your microphone cells, the frequency response of your low-frequency speaker and the fan of the The offending video projector cannot be mastered. There are unpredictable random variables in all of this.
Valerian:
If I try to predict the future using sophisticated models like fairly advanced Kalman filters or more advanced ARIMA models, maybe non-linear in our case, will I be able to achieve phase opposition that is live up to your expectations ?
The Spirits:
We know the critical sense of your mind and the inspiration you show. The devices you are talking about can be useful in order to oppose a phase to all the sound variations of your cell. But again the task will be easier on the one hand by being sure of your microphones, and secondly by releasing ballast on the contingencies, because your configuration will change again, we can see it from here. But phase capture and opposition can proceed smoothly to an acceptable extent. The important thing is your listening and its quality. As for us, we will adapt without problem.
Pascal:
I had a question about the last TCI session where we got a message saying « start, it works » with the old device. What made it possible to obtain it at the same time in our state of mind, in you, and in our material?
The Spirits:
The recording you got is one of the non-recurring and spontaneous anomalies. You will have others, they cannot be the basis of a new study because they are too isolated. The reasons for this sound anomaly come from the person sitting in the cell during the recording, from the one using the computer, and from the entity who wanted to be heard. However the message does not represent what he wanted to communicate.
Pascal:
The next question is about the generation of shapes that you told us about some time ago. Would image generation of random quasi-crystalline structures, with cells smaller than a pixel and randomly colored, be right for you as a shape (projected onto the mist)? [Question asked while
mentalizing a series of random points connected in colored triangles, then a rasterization including several triangles for the construction of an image]
The Spirits:
Considering the mental images you submit to us, we agree with this principle. There are others much more rudimentary like for example the pink noise image, but what you’re talking about is appropriate. Remember that the speed of random movement gives a malleable structure to our influences.
Pascal:
The next question is a bit more general. Can you describe the behind-the-scenes use of the cell for us? What exactly is happening on your end to generate the temporal impacts?
The spirits :
Regarding the temporal impacts we are obliged to measure the time and space where you are. To do this, we penetrate your brain, the essence that is attached to it and thus perceive your dimensions which are the target of our sending. We calculate, so to speak, the response of your installation by identifying us with the technical idea of your devices. When these are invisible or poorly defined, we use writing to make you aware of them, like here your microphones (which are quite transparent for us). When we want to manifest ourselves, we act in particular on the whole, that is to say on your brain and therefore your senses, then your machine, your devices, and the sense of technology by understanding the genesis of each. Thus, during the sessions, we are as much with Niépce as with Konstantin Raudive, or with you,not to mention the inventors of each principle, but this is perhaps too difficult to understand.
Laurie:
Can we still ask a question?
The Spirits: Let’s try
Pascal:
What makes « material » frequencies seem to be more tangible to you than times?
The Spirits:
Because duration is subject to a time. The frequency is in itself an amplitude which exists even without phase, it is then a question of a voyage in the infinitely small. The frequency of matter can be evaluated over time, but it exists above all in a perpetual present which does not express space. In an eternal static situation the frequency is an index of evolution. There is no wave proliferation at this stage. In fact the frequency is an eternal direction following the example of a line of life and the multiple rings that surround it. Only the rings are subject to ripple. Frequency does not express any movement. My friends, we no longer master the medium!
Laurie:
We will end the experiment by thanking you very much.
The Spirits:
We leave you to your studies.
Tardieu