The spirits:
My dear friends, The technicality of an installation always goes hand in hand with the idea which wanted it so. When your knowledge evolves, is enriched with new data, the physical transformation of your installation is oriented and also opens. Transcommunication is, as you know, a clever mix between what the mind wants, and what it can reproduce here below. The most troubling thing about this research is the discontinuity that can exist between the mind (which wants the thing) and the tool chosen for its realization. It is difficult for us to use a set of devices when the people around are far from understanding the basic process. Fortuitous transcommunications, those which take place without precondition and without installations are very rare, and suppose a mediumship of which you are deprived.
The exclusivity of such energy is not constant and is lacking most of the time. Your goal is therefore to offer a technical, sensitive set that is quick to be used without much energy input. However, this cannot work in the blur of a context, an idea or a concept. Not that we cannot reach it, but that the embarrassment it produces in you may be enough to prevent all contact. Remember that transcommunication is the subtle marriage of 2 eternal aspects of existence which are spirit and matter. The balance must be perfect there.
Laurie:
Knowing all the technicalities of sound and image; would be valid just for experimenters or for everyone?
The Spirits:
We are of course talking about those who handle the recordings and who set up new devices. Remember you are our eyes and ears. We control the world, through the human senses in order to measure in 3 dimensions the temporal place where we must express ourselves. Without it, we
would pass through your world like the x-ray passes through your epidermis. Our manifestations produce effects that we measure by your senses, it is a catalyst.
Laurie:
Will the types of microphones be effective for a sound manifestation?
The spirits:
They are effective in a fairly limited frequency range since we manifest ourselves by this man using 8Hz. It is obvious that these frequencies increase the difficulties of recording. Yet there are possible conversions. Even the most sensitive microphones cannot natively pick up our vibrations. We must then manipulate them to reach your microphones. The more sensitive these are, and the larger the membrane, the more we can act on them. A 60cm inverted speaker could serve as a more reliable microphone than your electronic microphone. Now, there are ways you don’t steer yourself towards the impossible. After choosing your microphones, then try to consider the speakers used to make them compatible with the set,a balance must be created between broadcasting and capture.
Bruno:
Does that mean that we would have to replace the microphones with the speakers to receive you?
Omar:
They suggest it… In fact, in inversion, you turn a speaker into a microphone. Rather than broadcasting a sound, you capture it.
Bruno:
Like helmets.
Omar: Exactly.
Christophe:
But is it through an effort on their part that we manage to record them in frequencies more suitable and easier for us? If we want to hear them and without them having a message to deliver to us, would it necessarily be 8Hz?
Omar:
How about you ask the question directly?
The Spirits:
The effort we make to make ourselves heard is always at the expense of duration and consistency. A breathless man will not tell you Shakespeare.
With a one meter membrane you could hear the sound of the air …
Bruno:
As a microphone?
Omar: Yes.
Bruno:
But on the other hand the enclosure in history?
Omar:
It has to act as a microphone.
The Spirits:
Watch out for the vibrant elements! Avoid cardboard, think of silk. You also need a considerable electromagnet, but again you can go simple and convert the data or amplify it.
The Spirits:
Yes Pascal (in response to a mental question about the usefulness of his concentration and his meditative state)
Bruno:
Do we need that many microphones (we have 4 today), or is it better to focus on just one?
The Spirits:
Better one good microphone than four bad ones. But better four medium microphones than a very good hypothetical.
Bruno: Okay.
Christophe:
I was wondering if four microphones put together could only form one?
Omar:
By multiplexing?
Christophe: Yes.
Omar:
By mixing the signals. It is what is already done today it seems to me.
Christophe:
Is that what is being done today?
The spirits:
Try to diversify the technical contents. Four identical microphones are like four lines, only one of which would be embellished with a bait.
Bruno: From bait?
Laurie: Yeah.
Omar:
It’s a picture.
Laurie:
Yes it’s a picture.
Christophe:
I understand that if the four microphones are identical, it is useless! We will not have the expected result.
Omar:
You have to go on one. The test should be done with a reverse speaker.
The Spirits:
We need four different ones with contiguous spectra.
Omar:
It must be their beach! Yes you have to watch.
Laurie:
Ah, a diagram! (the spirits drew a diagram)
Christophe:
I ask myself a question: Who understood the function of silk?
Bruno:
It’s instead of boxes!
Laurie:
Yeah, instead of the box.
Bruno:
For the vibrating elements.
Omar:
Avoid cardboard packaging.
Laurie:
Yes, « avoid cardboard, prefer silk »
Christophe:
Where would the cardboard be there? Is it to wrap around the enclosure? The speaker?
Bruno:
The box actually.
Laurie:
Yes the vibrating element of the speaker!
The spirits: The pavilion.
Omar:
The pavilion, yes!
Bruno:
But should the loudspeaker be built?
Omar:
No because you have …
Laurie: Yes ..
Omar:
The speaker membrane, you have several qualities
Bruno:
Yes, but it’s up to us to build it, with silk.
Omar:
Not necessarily.
Laurie:
Yeah, well I think so.
Bruno:
That’s what they say. It’s up to us to build the speakers.
Omar:
Low-end speakers are made with paper
Christophe:
Do you need white noise to manifest yourself or is it unnecessary?
The spirits:
Yes the amplified noises allow the modulation of audible waves for you. There was a time when we used a far trumpet with a paper membrane stretched over it. By producing vibrations, we could thus create sounds. Today this is technically possible. If you opt for media, it is necessary to emit the frequencies that we can handle, so very low.
Omar:
Can we know which ones?
Spirits:
from 4 to 8HZ
This is very complicated, it is for this reason that it has never been experienced before. But it is also to this natural phenomenon, existing in your atmosphere, that a great number of voices have been recorded. Once again, you have the possibility to extrapolate this vibratory phenomenon.
Laurie:
Would you like the idea of using a plasma ball in the Cell?
Spirits:
No, the glass would get in the way.
Laurie:
How to best orient the microphones in relation to the infrared source in order to have the best results?
Spirits: In circles.
Christophe:
They had already told us to favor circular formations, for the infrared.
The Spirits:
Surround the cells with microphones.
Bruno:
In addition to the need to place them in a circular way, would it be necessary that they also move to create more chaos?
The Spirits: No.
Christophe:
That it generates radiation …
Bruno: Simply!
Laurie:
Do you prefer that we ask questions in the cell to have an audible answer?
Spirits:
Yes, we told you about it a long time ago, yes.
Laurie:
And the last question. What is the frequency range over which we have a chance to pick up a sound manifestation and for what duration?
The Spirits: from 4 to 8 HZ
Omar:
Then there was a question about a vobulator.
The Spirits:
In the “native”, there are indeed cerebral frequencies that you can extrapolate and make them audible, we have already tried to explain it to you.
Laurie:
Now the second part of a question. So when you were asked about the usefulness of white noise. Would using a vobulator with a 50ms to 110ms sweap be desirable?
The spirits:
From 110Hz to 180Hz will suffice.
My friends, we leave you to your studies. Your medium comes back to you too often, very annoyed by his bladder. Avoid eating and drinking before contact! Thank you.
Sébastopol and Eric.