The spirits:
My dear friends, the intelligible form of our manifestation is made only for a specific purpose, a detailed communication which wants to be demonstrative, patent but imperfect. It is obvious that our life, the intrinsic form of this one does not have the forms, nor the density that we seek to manifest. We go through your reasons, your conscience, to allow you to find the forgotten
automatisms.
This clarification is useful when, like you, you are trying your hand at the thorny search for transcommunication. Indeed, it calls for a recognition that is only valid on earth and according to your species. Above ground, in other places, our manifestation would be quite different, just as the material « said » element is different according to the environments it passes through. Today, you are therefore in the synthesis of the spiritual element which, on the contrary to want to establish the certainty of a form and density, invites you to reconsider the canons of your modern physics. Do not forget that matter is a uniform ocean where the spirit cuts out its reality for its needs.
Jean-Luc:
We have prepared a question page and we would like to propose it to you.
The first question:
Today the cabin is practically finished. Can you tell us if the installation corresponds to what you suggested to us? Do we have to move something?
The spirits:
As we already told you, the typical configuration does not exist. Your work, like that of your contemporaries, is at this empirical level. There is no absolute formula here, just as there is no scholarly calculation that can physically demonstrate perpetual motion.
The cabin that we suggest to you is made to overcome shortcomings, painful disturbances and to orient you towards the quintessence of what is possible to do at your level.
It is understood, as was the case for each of your installations, that there will still be change and improvement. We are much more satisfied here by the enthusiasm that this work has generated in you, than by the ribs of your cell. However, the edition of this one is interesting and deserves some clarification.
First of all, try not to want absolutely to find in this device, the technical milestones of your Module. You’re heading for something else, so it makes sense that the effects are different. Without going over the very constitution of your cell, its framework and insulation, let’s try to clarify our thinking on the location of the devices:
- The cameras are badly placed. Think about the device of holography. An object camera, another of reference.
- Your laser should follow the focal point of the cameras. Separate its beam and bring it closer, it is too far.
- The video projector is well placed and the lights will need to be compiled. You can try the primary colors separately, but go for combinations. Jean-Luc:
Apparently you are writing to us that the cameras are badly placed. I don’t know how we can install them like that. The spirits:
There will be a camera which will have to capture the image of the video projector and another directed towards the foyer. One is the reference, the other the object (here the focus). The focus will be captured by a camera and retransmitted by the video projector. An image itself captured
by the reference camera.
The home will be subjected to misting and its exposure will be decisive. There will be a clever mix to be made. You will do the same with your laser. There will be one ray that will illuminate the screen, the other the object and this in a path contiguous to the focal lengths of the cameras. Attention, this device must be brought closer to the screen.
Jean-Luc:
Well we’ll see how to install all of this. Your explanation prompts a question from Sébastien who follows the session via the internet:
So it will be necessary to install a prism in order to divide its beam and direct one in the same direction as the laser?
Finally, that answers his question …
The next question:
We have found a fogger. Do you think its flow will be sufficient and where should we place the mist diffusion?
Spirits:
The flow will be sufficient as long as you respect the width of the fireplace. As a rule, say that it should cover the width of the projected video image.
Jean-Luc:
The video projector image must be 80cm, the mist must therefore cover this width.
The third question:
We have a problem with the oscillation of the video. Do you have any advice for us to resolve this problem? But hey, I think they already answered it in the previous question.
The Spirits:
The video oscillation is a plateau that you have passed.
Jean-Luc:
Okay, we are no longer in the swing. We are going to film the mist.
Fourth question:
Recently Joël had a flash in which he perceived dots connected by lines, can you explain to us what that means?
Spirits:
A Common Holographic Device.
Jean-Luc:
Well, he’ll have to decipher what he received a little better …
Spirits:
The most important is not that Joël understands, but that you understand.
Jean-Luc:
Yes, of course, but in order to understand properly, we will have to all reread what you have just written to us.
As for Joël’s flash, I said he will have to explain to us what he saw.
(The prepared questions were all asked and no one asked to speak) Do you have anything in particular to say to anyone around the table?
Spirits:
Why this question?
Jean-Luc:
Quite simply to allow you to add something for the end of the exchange?
The spirits :
The misting should be dense over the entire video frame.
- The focus of the cell is between the experimenter and the parabola.
- Watch out for gray areas.
- The Fresnel will have to be changed. Think of divergent 5 or 6mm concave lenses. The mist diffusion should be uniformly illuminated.
- The experimenter should avoid moving We will try according to the device, to create an agenerate. Jean-Luc:
Does anyone want to add something?
No, well we will try to implement all of this. Spirits:
Avoid vibrations of all kinds. Laurie:
Even outside? Spirits: Yes. Jean-Luc:
The silent blocks that we put under the cabin are not sufficient? Spirits: No.
Jean-Luc:
The external vibrations can bother you, but not the mist which will descend in a random way?
Spirits: No.
Laurie:
What kind of vibe?
Jean-Luc:
Walk around the cabin …
Spirits:
The propagation of physical vibrations such as blows and friction should be avoided during recordings.
Jean-Luc:
So the mist machine cannot be fixed to the wall of the cabin?
Spirits:
No contact.
Laurie: On the
other hand the sound of voices, right?
Spirits:
On the contrary, sound variations will influence the image.
Laurie:
Excuse me, I don’t understand. Does not the sound of footsteps or the fogger produce sound variations?
Spirits:
Of course, but they are not, in this case, allowed in the experiment. We will have to make ourselves heard and seen in a confined environment, without uncontrolled interference.
Laurie:
A surfer asks you if background music would not be useful?
Spirits: No.
Jean-Luc:
Do you have anything to add to conclude this session?
Spirits:
Yes, but you don’t have the possibility.
Laurie:
For now or never?
Spirits:
For the moment, it is a wish.
Jean-Luc:
And to conclude?
Spirits:
Approaching the problem of survival with a velvet step. If the microscope has revealed the infinitely small to you, instrumental transcommunication will reveal to you the intelligence of the conceptual forces around you. Spirituality is absolute potentiality, the backbone of what you perceive. Beyond formulas and theorems there is a universe to discover, that of your psyche. Go beyond prejudices and at the dawn of general rallying to the idea of survival, learn to conceive of the unprecedented.
Gabriel and Tardieu.